Français
English
Blog - whats new?
Gagosian is pleased to announce Exhibiting Forgiveness, an exhibition of new paintings by Titus Kaphar at the gallery in Beverly Hills. Shown here for the first time, this group of paintings is featured in the artist’s first narrative feature film, Exhibiting Forgiveness (2023), which debuted at Sundance this year and will be released theatrically nationwide on October 18.
À l'occasion du centenaire de la publication du "Manifeste du surréalisme" (le 25 octobre 1924), retour sur la grande aventure du surréalisme, de sa genèse à ses derniers feux. Sur plus de quatre décennies, des jeunes artistes comme André Breton, Paul Eluard ou encore Paul Klee, iconoclastes et incroyablement créatifs, se sont efforcés d'échapper aux dérives de leur siècle, en inventant sans jamais se conformer.
In the early years of the 20th century, Céline Laguarde established herself as an international name in the first artistic movement in the history of photography: pictorialism. Rediscovered thanks to the “Who’s Afraid of Women Photographers? 1839-1945” exhibition (Musée d’Orsay and Musée de l'Orangerie, 2015), much of the artist’s personal collection was acquired by the Musée d’Orsay. The retrospective scheduled for autumn 2024 is the first to be devoted to Céline Laguarde, and also the first to be exclusively dedicated to a woman photographer active in France before the First World War. Hence, Céline Laguarde’s body of work is set to re-emerge after a century of oblivion.
The Enemy of All Mankind: Nine Scenes from John Gay’s Polly presents a new series of photographs by Stan Douglas. On view at the gallery’s 525 West 19th Street location, this is the artist’s eighteenth exhibition at the gallery.
The Fahey/Klein Gallery is pleased to present SINK / RISE: The Day May Break, Chapter Three and THE ECHO OF OUR VOICES: The Day May Break, Chapter Four, an exhibition of new works, made as part of an ongoing global series of images portraying people and animals that have been impacted by environmental degradation and destruction.
The Aurelie Nemours Prize was founded in 2000 by Aurelie Nemours, one of the major artists of geometric abstraction in the second half of the twentieth century. It rewards any artist, regardless of his discipline, whose work pursues the rigorous and spiritually imbued plastic quest that has been his own. She wrote: "Thinking that art is a struggle against the disarray of our civilization, I firmly believe that the spiritual charge of art is the only recourse and the only salvation."
Designed like a maze, the “Surrealism” exhibition is an unprecedented dive into the exceptional creative effervescence of the Surrealist movement, born in 1924 with the publication of André Breton’s founding Manifesto.
