EXHIBITION // BILL SCOTT // HOLLIS TAGGART // NEW YORK

© Bill Scott - Two decades - Hollis Taggart

Bill Scott - Two decades - 17 Oct. to 16 Nov. 2024

Hollis Taggart
521 West 26th Street, 2nd Floor
New York

www.hollistaggart.com

Like much of Scott’s oeuvre, the works are an affirmation of the sheer joy of painting and the act of creation.

Hollis Taggart is pleased to present Bill Scott: Two Decades, celebrating its representation of the artist for a milestone anniversary of twenty years. Bill Scott: Two Decades is the artist’s tenth solo show with the gallery since joining its roster in 2004. The exhibition features a sampling of works executed earlier in Scott’s career along with eight new striking paintings from his studio. These compositions provide viewers with a snapshot of the Philadelphia-based painter’s engaging artistic trajectory and his evolution as a virtuoso and mature painter. Bill Scott: Two Decades will be on view on the second floor of Hollis Taggart from October 17 through November 16, 2024, with an opening reception on Thursday, October 24, from 5-8PM.

The exhibition features paintings created over twenty years between 1997 and 2024. Like much of Scott’s oeuvre, the works are an affirmation of the sheer joy of painting and the act of creation. Rooted in his signature vibrant palette, hints of garden foliage, and sinuous lines, the paintings are built through layers of paint over periods of weeks, months, and in certain cases, years. They attest to an artist who has, through his lengthy career, put his faith in how iteration often creates meaning within the process of painting.

The new paintings capture the exuberant energy and brilliant color for which Scott’s work is recognized. Inspired by nature, whether fake flowers in his studio, views from his windows overlooking nearby houses and tree-lined streets, or scenes encountered on walks, his paintings evoke notions of paradise and our fundamental desire for it. Many of the titles of the new works, such as Wander Quietly, To Bow and To Bend, and Cimiez, draw from a wide variety of sources including songs lyrics, essays, and places. His painted imagery refrains from literally depicting or referencing any such sources, yet the titles lend poetic evocations to the paintings and often occur to the artist long after the paintings are finished. “I end up talking about the titles because I do not know how to talk about the process of painting, which for me is a completely non-verbal endeavor,” Scott says.

Scott credits his time spent with artists Joan Mitchell and Jane Piper for profoundly influencing his practice. Piper was an important early mentor to the young Scott, who first wrote to her at age sixteen hoping to visit her studio. This mentorship was enhanced by a close friendship with Mitchell, whom Scott met in 1980. Throughout the 1980s, Scott frequently visited Mitchell at her home in Vétheuil, at times painting in her studio. He received from his formal education at the Pennsylvania Academy of the Fine Arts from 1974 to 1979. Scott’s works are held in the collections of the British Museum, Cleveland Museum of Art, Philadelphia Museum of Art, Asheville Art Museum, Delaware Art Museum, and Munson Museum of Art, among others. His work has been reviewed in Art in America, ARTnews, New York Times, and Philadelphia Inquirer.